The Kuan Yin Shrine in Bangkok is in an old Chinese structure
within a colony on the Chao Phraya River wherever incident
seems to have stood increasingly for the past 200 old age.

The location originally had two shrines built in the period of King
Taksin (1767 - 1782) by his Chinese supporters. The
dilapidated buildings were dilapidated low in the period of time of King
Rama III (1824 - 1851) and rebuilt to home Kuan Yin, the
goddess of clemency.

Today, the Kuan Yin Shrine is in the watchfulness of a provincial Chinese
family sentient in the strip. In Thai, the divinity of forgiveness is
known as Jao Mae Kuan Im.

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Kuan Yin, an ancient Chinese goddess, embodies the virtues of
love, kindness, compassionateness and forgiveness, a fairy tale that goes
back to 300 BC.

The youngest daughter of a Chinese king, she was fortunate with
virtue and rejected her corrupted father's excess for financial condition
and sway. When she rejected his order for an methodical
marriage, he animal group her out of their surroundings.

Rejected, persecuted and exiled by her father, she unswerving
her remaining age as a nun uplifting the afflicted and impoverished and
as a jesus of castaway sailors. When her begetter was
mortally ill, she sacrificed her view and weapons for the cure to
save him.

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Her thoughtfulness earned her ceaseless look up to and the Kuan Yin
Shrine became a Chinese taste heritage. The primordial Chinese
immigrants to Bangkok never-ending the content and improved a
shrine for the deity of kindness on the Chao Phraya River nigh
where they lived.

An overhead walkway, a new addition, runs from the dock
along the riverbanks and a minuscule bridge near a red arch
links the gangway to the prime proceeds of the house of god. At the end of
a half-size red-tiled courtyard is the time period Chinese structure
housing the Kuan Yin Shrine.

Images of classic Chinese characters are engraved on the
front walls and above the yawning principal door, two burning dragons
ride the line of the roof, glary fallen violently. The woody
doors in the sidewalls primary to the inmost housing at the back are
closed.

Inside the shrine, delineated walls of Chinese warriors and old
red Chinese lanterns floppy from the rafters initiate a humour
reminiscent of ancient China, a meaning on the face of it unvaried
over the geezerhood in the Kuan Yin Shrine.

A littler table near respective Kuan Yin statues tiered seats in the
open pace in the midway of the house of prayer. In the leading altar, in the
covered province to the rear, a metre-high golden carving of Kuan Yin,
the divinity of mercy, sits steadily lining the Chao Phraya
River.

It's not a active shrine on non-festive days. The infrequent
worshipper comes in to commune and pay substance as the day goes
lazily by. Life on the watercourse is slumberous object for a few family
playing by the pier and the odd fisherman.

Meanwhile, in the Kuan Yin Shrine, the god of mercy,
gazes benignly at the active watercourse beyond as the riverboats go
streaming by.

The Kuan Yin Shrine is one of the lots in the old built-up.

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